Monday 27 February 2017

Rangoon-Review


Wish characters could write their own ends. Wish the actors playing them could rescue them from this helplessness.
A fiery little ‘banjaaran’ is bought off a street performance by a visionary businessman. He then tames this ‘wildness’ into a feisty and fashionable Miss Julia. But for obvious reasons, he is unable to tame her heart, which is still lost in the wilderness it had come from.
Rangoon the movie, promises from the very beginning, to be made to appreciate Kangana, the ‘queen’. It is she, in a welcome change, who gets a royal ‘introduction’ into the story and she accepts it with aplomb.
Because here is a performance which overshadows everything, the other performances, the confusing storyline, the gigantic sets, the excellent cinematography and of course, the soulful music. Because, when Miss Julia enters, you look at only her and when she exits, you wait, only for her.
Cheers to both the male leads, a painfully restrained Shahid Kapoor and an equally, if not more controlled Saif Ali Khan, who gracefully accept the reign of the ‘queen’ over the entire film.  The brilliant actors that they are, they have shown bravery in accepting itself, the roles of characters who are nothing but providers of plot points to a scattered story to which the heroine acts and reacts. So it is a welcome change indeed to see the heroine ride into the den of enemies and save her prince charming, the heroine to make the first move in her own love story and the heroine again to playfully defeat an exceptional soldier in swording. If only the climax too could keep the queen’s flag flying high.
Good songs, poetic visuals and excellent dialogues. We only wish the script had focused on one story in completion instead of getting scattered into so many snippets of different ideologies.
Rangoon should be watched, for all these positives and of course, for the queen onscreen, Kangana Ranaut.



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